Affichage des articles dont le libellé est Thrones. Afficher tous les articles
Affichage des articles dont le libellé est Thrones. Afficher tous les articles

samedi 5 octobre 2013

Jack Gleeson, A.K.A. Joffrey On 'Game Of Thrones,' Plays With A Puppy And It's Adorable (VIDEO)

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We've heard many, many times that Jack Gleeson, who plays cruel boy king Joffrey Baratheon on "Game of Thrones," is one of the nicest people his co-stars have ever met. And though Sophie Turner's (Sansa Stark) story about Gleeson's Winnie the Pooh rap "Got Monies and Honies" had us nearly convinced, a new Vine video from user Manus (below) is the ultimate evidence that the young actor is actually a softie.

Below, watch Gleeson, a regular ol' student at Trinity College in Dublin, kissing, cuddling and getting his ear nibbled on by an adorable puppy.

You will never look at Joffrey the same way again.

(h/t Buzzfeed)

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Jack Gleeson as Joffrey Baratheon, Sophie Turner as Sansa Stark

Peter Dinklage as Tyrion Lannister, Sophie Turner as Sansa Stark

Peter Dinklage as Tyrion Lannister, Sophie Turner as Sansa Stark

Lena Headey as Cersei Lannister, Natalie Dormer as Margaery Tyrell

Peter Dinklage as Tyrion Lannister, Sophie Turner as Sansa Stark

Sibel Kekilli as Shae, Sophie Turner as Sansa Stark

Nathalie Emmanuel as Missandei, Emilia Clarke as Daenerys Targaryen

Charles Dance as Tywin Lannister, Peter Dinklage as Tyrion Lannister

Peter Dinklage as Tyrion Lannister

Charles Dance as Tywin Lannister

Sophie Turner as Sansa Stark

Richard Dormer as Beric Dondarrion

Gwendoline Christie as Brienne of Tarth

Peter Dinklage as Tyrion Lannister, Sibel Kekilli as Shae

Alfie Allen as Theon Greyjoy

Jack Gleeson as Joffrey Baratheon, Charles Dance as Tywin Lannister

Dianna Rigg as Olenna Tyrell

Finn Jones as Loras Tyrell, Sophie Turner as Sansa Stark

Hannah Murray as Gilly

Thomas Brodie Sangster as Jojen Reed

Joe Dempsie as Gendry

Lena Headey as Cersei Lannister

Stephen Dillane as Stannis Baratheon, Kerry Ingram as Shireen Baratheon

John Stahl as Rickard Karstark, Richard Madden as Robb Stark

Paul Kaye as Thoros, Richard Dormer as Beric Dondarrion.

Richard Madden as Robb Stark

Richard Madden as Robb Stark, Oona Chaplin as Talisa Maegyr

Emilia Clarke as Daenerys Targaryen

Emilia Clarke as Daenerys Targaryen

Jack Gleeson as Joffrey Lannister, Natalie Dormer as Margaery Tyrell

Emilia Clarke as Daenerys Targaryen

James Cosmo as Jeor Mormont, Luke McEwan as Rast

John Bradley as Samwell Tarley, Hannah Murray as Gilly

Emilia Clarke as Daenerys Targaryen

Conleth Hill as Lord Varys, Diana Rigg as Olenna Redwyne

Sophie Turner as Sansa Stark

Peter Dinklage as Tyrion Lannister

Michelle Fairley as Catelyn Stark

Clive Russell as Brynden "The Blackfish" Tully

Nikolaj Coster-Waldau as Jaime Lannister

Peter Dinklage as Tyrion Lannister

Nathalie Emmanuel as Missandei, Emilia Clarke as Daenerys Targaryen

Esmé Bianco as Ros

Noah Taylor as Locke, Nikolaj Coster-Waldau as Jaime Lannister

Aidan Gillen as Petyr Baelish, Conleith Hill as Lord Varys, Julian Glover as Grand Maester Pycelle

John Bradley as Samwell Tarly

Peter Dinklage as Tyrion Lanniser, Jerome Flynn as Bronn, and Daniel Portman as Podrick Payne

Jack Gleeson as Joffrey Baratheon, Natalie Dormer as Margaery Tyrell

Carice van Houten as Melisandre

Stephen Dillane as Stannis Baratheon

Ciaran Hinds as Mance Rayder

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mardi 1 octobre 2013

Amy Poehler throws "Parks and Rec" characters in 'Game of Thrones' (photos)

It is no secret that the writers of "Parks and recreation" love "Game of Thrones".

The last few seasons contain at least one reference-"what's wrong with you today? Cancel 'Game of Thrones'?"-for the popular HBO drama. And in a new interview with Time Out New York, star of the series Amy Poehler fantasized about how would fit in its cast of "Parks and Rec" in "game of Thrones.

"Well, come on, of course, would be Khaleesi [Daenerys Targaryen]," Poehler said, referring to his character's Leslie Knope. "Ben would probably be Jon Snow, because he is so tormented. Ron would be Stannis Baratheon."

Time Out New York suggested Tammy 2 (Megan Mullally) as Ron (Nick Offerman) Melisandre. "Yes! And Tom would be... UH oh, hate to break to Aziz [Ansari], but Tom would be as Theon Greyjoy, now is not good. Ann would be Sansa, April would be Arya, and Andy would be one of the Dragons. [Laughs]"

EW previously imagined what would happen if the producers of "Game of Thrones" and "parks and recreation" wrote episodes of one to the other shows. The results are here.

Presentation of the load...

dimanche 4 août 2013

'Game Of Thrones' Art: Submit Your Best GoT-Inspired Works

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Talented artists and "Game of Thrones" nerds, we are calling upon you show us your best GoT-inspired artwork.

2013-06-17-tyrion.jpg
Tyrion Lannister by Nathalie Hutsebaut

Recently we came across Nathalie Hutsebaut's masterful portrayal of the "cunning but kind" character Tyrion Lannister. Which made us want to see more fan art on everything from Westeros to Beyond the Wall, since we've been laughing at Mike Wroebel's GoT characters as hipsters this month.

Whether you choose to go to the photorealistic route or take some creative liberties of your own, we want to see your skills.

Tweet or Instagram your work with the hashtag #HPGameOfThrones and we'll compile the results in a slideshow next week!

lundi 8 juillet 2013

Mike Hogan: 'Game Of Thrones' Finale Recap, Season 3: This Changes Everything

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Note: Do not read on if you have not yet seen the Season 3 finale of HBO's "Game of Thrones," titled "Mhysa."

It was inevitable that the Season 3 finale of "Game of Thrones" would feel anticlimactic, not just because last week's Red Wedding was so traumatic, but also because there were so many loose ends to tie up. Yes, Arya and the Hound needed to escape and the Lannisters and Baratheons needed to digest the news that Robb Stark had been killed, but, this being "Game of Thrones," there were also about 12 unrelated story lines that needed advancing.

We needed to know who has been tormenting Theon Greyjoy (answer: Roose Bolton's bastard son) and whether there's any hope at all for the wayward Ironborn lord (there is, now that his sister is setting sail); how Bran and his band of freaks were going to make it past The Wall; what would become of Sam and Gilly once they made it to Castle Black; how Tyrion, Sansa and Shae are managing their ultra-awkward menage a trois; whether Gendry was going to end up donating any more blood to Melisandre's campaign of black magic; what would happen to Jaime and Brienne when they returned to King's Landing; what fresh atrocities have been fermenting in Joffrey's diseased imagination; how the residents of Yunkai were going to respond to Daenerys' non-violent occupation; and, of course, whether Ygritte would make good on her threats when she caught up with Jon Snow (answer: he's lucky he can still reproduce).

Did I leave anything out? Probably. It was that kind of episode. But it wasn't without its overarching themes: familial obligations, resentment of the highborn, the tension between doing the shrewd thing and the right thing, the liberating power of going with your gut. There was also an overarching warning. As Melisandre put it, "This war of five kings means nothing. The true war lies to the north, my king. Death marches on The Wall."

Boy, does it ever. And we're beginning to see how pieces of the puzzle as far afield as Yunkai and Castle Black could someday snap together. If dragonsglass is the only substance that can kill White Walkers, then the armies of the Seven Kingdoms are going to need a lot of it. And if dragons really do play a part in the production of dragonsglass, then Daenerys could prove vital in the struggle against the Others.

But that's just speculation. Let's take a closer look at what happened in tonight's finale.

Who can resist Sandor Clegane's slightly panicked puppy-dog eyes as he navigates the burning encampments outside Walder Frey's castle? The Stark forces are getting crushed and there's nothing to do but haul Arya out of there as fast as possible. Unfortunately, before they escape, Arya is treated to the site of her brother's body being paraded through the camps, his head replaced by that of his beloved dire wolf. "King of the North," the armies chant, jeeringly.

We don't have to imagine what kind of effect this will have on Arya, who, after all, was present for her father's execution not so long ago. When she and Sandor come across a band of Frey soldiers bragging about their participation in the slaughter and subsequent desecration of Robb's corpse, she uses her "Valar Morghulis" coin to lull them into complacency, then brutally stabs the desecrator to death with a knife she lifted from Sandor.

This is new territory for Arya. We saw her ice a stable boy way back when, but that was effectively self-defense. This is a straight-up revenge killing, driven by anger to be sure, but executed with cold-blooded cunning. At least it was done on behalf of her family, and not to achieve some calculated end.

Speaking of calculated, back in King's Landing Arya's sister, Sansa, and her husband, Tyrion, are debating ways to take vengeance on the people who laugh at them. Sansa's idea of "sheep-shifting" them seems pretty tame -- especially when it becomes apparent that she thinks "shift" means "shit" -- but at least the married couple is communicating. What they're not doing is consummating, which is of grave concern to Tywin. I absolutely loved the scene where Tywin sent Joffrey to bed without his supper, as Tyrion put it, and I was relieved to see the whole King's Council recoil at Joffrey's warped fantasy of serving Robb's head to Sansa at his wedding. At this point, even Cersei can't muster the energy to defend her son, though she's holding tight to her memory of him as a happy baby who made her feel as if she had someone just for her.

But I keep waiting in vain for Tywin to take note of Tyrion's shrewd analyses and start treating him with a modicum of respect. I think Tyrion's holding out hope, too, but it ends in humiliation every single time. You can see why Varys thinks the black sheep of House Lannister is the best hope for the Seven Kingdoms, though. Even if he weren't Robb's brother-in-law, Tyrion surely would have chosen to dispatch him in a manner less offensive -- and less liable to spawn a new generation of mortal enemies -- than the Red Wedding massacre.

I enjoyed the scene between Varys and Shae. Ultimately, Varys is probably right that Shae's presence is a danger to Tyrion's well-being, but good for her for refusing to be swept aside. As Daenerys will later tell the Yunkai'i, only you can claim your own freedom. Right?

For all his warg prowess, Bran remains blissfully ignorant of the fate that befell his brother and mother -- and yet the story he told about the Rat Cook certainly suggested that Walder Frey and Roose Bolton are in for a serious karmic reprisal. If you ask me, the Boltons are beginning to rival the Lannisters for the title of Most Repulsive Family in Westeros. Roose isn't kidding when he tells Frey that his bastard has his own way of doing things. Let's hope those ways don't catch on anywhere else. Taunting Theon with that pork sausage, renaming him "Reek," sending that bizarre threat to his father -- the guy's a complete psycho. (Also, whose idea was it to have him use the jarringly clinical term "phantom limb"?)

How priceless were Euron and Asha Greyjoy's faces when they re-enacted "Dick in a Box" with Theon's severed manhood? Also, remind me that I never want to meet George R. R. Martin's father. This dude has daddy issues out the wazoo -- and I'm just glad Asha finally decides to defy Eulon's heartless indifference and set out to rescue her brother, however little he may deserve it.

Like Asha, Ser Davos decides to do the right thing and set Gendry free, after bonding with the unwitting Baratheon heir over their fond memories of shit streams in Flea Bottom. Gendry helps Davos see that his loyal service to the highborn Stannis hasn't served him so well after all, but it's the message from Castle Black that empowers him to save the boy's life. Even Melisandre has to admit that Stannis will need Davos in the coming war against the White Walkers.

News of that war, which promises to reshape every aspect of life in the Seven Kingdoms, comes from a modest source indeed: Samwell Tarly, who is so unassuming that he actually didn't violate his celibacy oath while squiring fertile young Gilly to safety. But even Sam isn't impressed by Bran and his crew of oddballs. If the president of the chess club told you he was going to take down Hitler's army, you'd sound about as confident as Sam does when he asks, "You're gonna stop them?"

Who knows? Maybe they will. In the meantime, Sam will be busy nursing his old friend Jon back to health. Jon is rinsing the talon wounds on his face in a stream when Ygritte catches up with him, and you can tell he's a Stark from the way he reacts. I know I love you. I know you love me. Blah blah blah, wait, why are you shooting arrows at me? Dude, any other show and you'd have been completely safe, but did you see the first season? Or the last episode? Get on your horse and get the hell out of there!

The nice thing about "Game of Thrones," at least, is that arrows aren't enough to kill main characters. So I'm pretty sure Jon will recover from his wounds, even if those scars may linger, Tyrion-style. I'm even confident that he and Ygritte will reunite, maybe after he's expelled from the Night's Watch. God knows he'll never do anything as sensible as lying to the Maester about his sexual history.

I think that brings us to Daenerys, doesn't it? Her tableau outside the gates of Yunkai felt a little over-choreographed, but then she and Ser Jorah are the types to arrange things just so, aren't they? I don't know how many more scenes of liberation this show can get away with, but this one worked for me. I didn't love the crowd-surfing, but I enjoyed the chanting: "Mhysa! Mhysa!" (Pro-tip: this show makes 100-percent more sense when you turn on the closed captioning.) And the aerial view at the end gave me that tingly feeling I look for from "Game of Thrones."

So that's it. The Mother of Dragons marches onward. Winter is coming. But we'll have to wait until next season to see what comes next. It's been a pleasure and a privilege recapping the show with you guys -- thanks for reading and sharing your comments.

Before you go, tell us what you thought of tonight's finale!

Loading Slideshow...

Jack Gleeson as Joffrey Baratheon, Sophie Turner as Sansa Stark

Peter Dinklage as Tyrion Lannister, Sophie Turner as Sansa Stark

Peter Dinklage as Tyrion Lannister, Sophie Turner as Sansa Stark

Lena Headey as Cersei Lannister, Natalie Dormer as Margaery Tyrell

Peter Dinklage as Tyrion Lannister, Sophie Turner as Sansa Stark

Sibel Kekilli as Shae, Sophie Turner as Sansa Stark

Nathalie Emmanuel as Missandei, Emilia Clarke as Daenerys Targaryen

Charles Dance as Tywin Lannister, Peter Dinklage as Tyrion Lannister

Peter Dinklage as Tyrion Lannister

Charles Dance as Tywin Lannister

Sophie Turner as Sansa Stark

Richard Dormer as Beric Dondarrion

Gwendoline Christie as Brienne of Tarth

Peter Dinklage as Tyrion Lannister, Sibel Kekilli as Shae

Alfie Allen as Theon Greyjoy

Jack Gleeson as Joffrey Baratheon, Charles Dance as Tywin Lannister

Dianna Rigg as Olenna Tyrell

Finn Jones as Loras Tyrell, Sophie Turner as Sansa Stark

Hannah Murray as Gilly

Thomas Brodie Sangster as Jojen Reed

Joe Dempsie as Gendry

Lena Headey as Cersei Lannister

Stephen Dillane as Stannis Baratheon, Kerry Ingram as Shireen Baratheon

John Stahl as Rickard Karstark, Richard Madden as Robb Stark

Paul Kaye as Thoros, Richard Dormer as Beric Dondarrion.

Richard Madden as Robb Stark

Richard Madden as Robb Stark, Oona Chaplin as Talisa Maegyr

Emilia Clarke as Daenerys Targaryen

Emilia Clarke as Daenerys Targaryen

Jack Gleeson as Joffrey Lannister, Natalie Dormer as Margaery Tyrell

Emilia Clarke as Daenerys Targaryen

James Cosmo as Jeor Mormont, Luke McEwan as Rast

John Bradley as Samwell Tarley, Hannah Murray as Gilly

Emilia Clarke as Daenerys Targaryen

Conleth Hill as Lord Varys, Diana Rigg as Olenna Redwyne

Sophie Turner as Sansa Stark

Peter Dinklage as Tyrion Lannister

Michelle Fairley as Catelyn Stark

Clive Russell as Brynden "The Blackfish" Tully

Nikolaj Coster-Waldau as Jaime Lannister

Peter Dinklage as Tyrion Lannister

Nathalie Emmanuel as Missandei, Emilia Clarke as Daenerys Targaryen

Esmé Bianco as Ros

Noah Taylor as Locke, Nikolaj Coster-Waldau as Jaime Lannister

Aidan Gillen as Petyr Baelish, Conleith Hill as Lord Varys, Julian Glover as Grand Maester Pycelle

John Bradley as Samwell Tarly

Peter Dinklage as Tyrion Lanniser, Jerome Flynn as Bronn, and Daniel Portman as Podrick Payne

Jack Gleeson as Joffrey Baratheon, Natalie Dormer as Margaery Tyrell

Carice van Houten as Melisandre

Stephen Dillane as Stannis Baratheon

Ciaran Hinds as Mance Rayder

Follow Mike Hogan on Twitter: www.twitter.com/m1keh0gan

Get Alerts Note: Do NOT read this if you have not yet seen Season 3, Episode 10 of HBO's "Game of Thrones," titled "Mhysa." It was inevitable that tonight's Season 3 finale of "Game of Thrones" would feel inevi... Note: Do NOT read this if you have not yet seen Season 3, Episode 10 of HBO's "Game of Thrones," titled "Mhysa." It was inevitable that tonight's Season 3 finale of "Game of Thrones" would feel inevi...

lundi 24 juin 2013

George R.R. Martin makes No apologies for the 'bride' massacred in 'Game Of Thrones' (VIDEO)

Conan George Rr Martin 130605'Conan': George R.R. Martin has no apologies there for 'Game of Thrones' bloodbath

George R.R. Martin wrote the script "Red wedding" years ago for his series "A song of ice & fire", but that was facing the fire again after the scene that played out in the last episode of "Game of Thrones". He made no apologies for it during his appearance on "Conan" this week, no matter how much fans were freaking out about it.

"Always I like unexpected things and I always like the suspense to be real," said Martin. "I want to my readers - and I want my viewers - be afraid when my characters are in danger." I want you to be afraid to turn the next page, because your next character cannot survive it."

He admitted that while he did not have any guilt for killing the characters in the book series, it is a little different now that their decisions are putting actors out of work. However, the actors could always anticipate their fate by reading his books.

Of course, Martin needs to get moving at the end of the series. Took it him two decades to write the first five books of the series, but three seasons, the HBO series is approaching quickly. It is apparently choosing their pace to try to finish the last two books to get ahead in the television program.

Meanwhile, fans can tune at the end of the season - and fallout "Red wedding" - of "Game of Thrones" this Sunday at 9 p.m. ET on HBO. "Conan" airs on weeknights at 11 PM ET on TBS.

TV Replay runs through the landscape of the big TV to find the most interesting, fun and on a good day, incredible moments and delivered right to your browser.

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dimanche 16 juin 2013

Can A Christian Watch 'Game Of Thrones?'

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By David Gibson
Religion News Service

(RNS) Is there anything morally redeeming about “Game of Thrones”? Does the hit HBO series even have a moral vision?

The show is certainly entertaining, almost addictively so, and as “Games of Thrones” wraps up its third season on Sunday (June 9), the ratings reflect that popularity: a record of more than 5.5 million viewers have followed the ruthless struggles for power among the teeming clans of Westeros, the medieval-looking world created by fantasy novelist George R.R. Martin.

That success has also guaranteed that the show will be back for a fourth year of mayhem and passion, swords and sorcery, despite this season’s many violent endings. Or, as one tweet put it after the bloody penultimate episode: “Why doesn’t George R.R. Martin use twitter? Because he killed all 140 characters.”

But therein lies the moral problem for some: The appeal of the series seems bound up in the senseless violence and amoral machinations – not to mention the free-wheeling sex – that the writers use to dramatize this brutish world of shifting alliances and dalliances.

That, in turn, has prompted intense debates about whether Christians should watch “Games of Thrones” at all, or whether the show’s only possible virtue is depicting how the world would look if Christ had never been born – or what it could look like if Christianity disappeared tomorrow.

“Why should Christians watch ‘Game of Thrones’? There’s no necessity, and some will find the gratuitous sex and violence dangerous and damaging,” wrote Daniel Muth of the Living Church Foundation.

But, Muth concluded, “Seeing the hopelessness and savagery of what this age threatens to become may serve to shake us from our torpor.”

To be sure, “Game of Thrones” can be as “relentlessly grim” as Jonathan Ryan described it in a Christianity Today critique. As one character puts it: “When you play a game of thrones, you win or you die.”

Dark magic plays a role in the plots, yes, and there are hints of something supernatural, if not altogether benign. But for the most part, the land of the Seven Kingdoms is a dog-eat-dog world dominated by soulless connivers like Lord Baelish, who concludes one chilling monologue by declaring: “Only the ladder is real. The climb is all there is.”

Which is not to say that the world of “Games of Thrones” doesn’t have religion. In fact, it has several of them. But belief is slippery and divine justice improbable. Even those who hope there is something at the other end of the ladder – a realm above – fear that it is populated by cynical gods who view mortals the way cats regard a mouse, as something to be toyed with until it dies.

“The gods have no mercy. That’s why they’re gods,” as Queen Regent, Cersei Lannister, coldly tells terrified young women praying for help during a siege.

For some, the most damning aspect of “Game of Thrones” may be the way that it subverts the work that it most closely tracks: J.R.R. Tolkien’s “The Lord of the Rings” saga that’s beloved by so many contemporary Christians.

In those novels, and the hit films they inspired, Tolkien also presents an epic struggle – but one in which good battles evil, and triumphs in the end. George R.R. Martin is having none of that.

“The sort of fantasy where all the people get together to fight the dark lord doesn’t interest me,” Martin told The New Republic when asked about comparisons to Tolkien.

“We don’t tend to have wars or political controversies where one side is really ugly and wears dark clothing, where the other side wears white and has glowing magical swords,” he said.

(Martin, who is helping to adapt the television series from his series of novels, “A Song of Ice and Fire,” is busy shooting the fourth season and was not available for further comment.)

But ambiguity is not necessarily amorality. It can also reflect the complexity of real life.

“What constitutes good and what constitutes evil? What happens if our good intentions produce evil? Does the end justify the means?” Those are the questions Martin says he is asking, and they are questions that have spawned a cottage industry of blogs and even a book about the philosophy behind the show.

Still, some have also detected a genuine theological framework behind the show that does not reject Christian teachings but instead reflects them in important ways.

“Indeed, the series can be read as an argument for Reinhold Niebuhr’s Augustinian realism,” George Schmidt wrote at Religion Dispatches, citing the Cold War theologian who has often been invoked during America’s current battle against terrorism. As Schmidt notes, idealists who would triumph in Tolkien’s world are blithely cut down in Martin’s.

The Rev. Jim McDermott, a Jesuit priest who is studying screenwriting at the University of California, Los Angeles, also pointed out that in “Game of Thrones,” raw power and high birth provide no guarantee of protection. And, like the Bible, the series finds unlikely heroes among “the shattered, the shunned and the disregarded.”

The realism that McDermott finds in the show is the gospel truth that life is often hard and unfair – but everyone shares in that fate.

“And salvation is not the purview of some elect, nor does grace inherently reside in a crown,” he wrote in America magazine. “As with horror, so hope springs from the most unexpected of quarters.”

Or maybe not. The story lines continue to unfold, and Martin hasn’t yet finished the final book that will serve as the template for the rest of the series. Strong characters and unpredictable narratives are sure to keep coming, and to keep viewers glued to the screen. But at the end will they find a “transcendent moral vision”?

That’s the question that troubles Scott R. Paeth, who teaches Christian social ethics at DePaul University in Chicago.

“Thus far (Martin has) been fairly scornful of the idea that the end result of the political struggle is the establishment of social justice, and seems to be suggesting that, in the end, all succumbs to dust and entropy, or that on the whole those willing to give themselves wholly over to their will to power will ultimately prevail,” Paeth wrote on his blog.

“How he ends his story will tell us much about the moral world in which he dwells.”

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